The Doors in late 1967 Studio albums 9 Live albums 5 Compilation albums 19 Singles 21 Soundtrack albums 2 Videos 22 Box sets 8 Archive albums 20 The following is the discography of the American band. Landlordmax Crack Keygen Online. Formed in Los Angeles in 1965, the group consisted of (vocals), (keyboards), (drums), and (guitar).

The Doors became one of the most popular rock bands of their era. Their debut album, (1967), released by, charted at No. 2 on the US and produced the group's most successful single, '. The album received several including a 4 times multi-platinum from both the (RIAA), and from the (CRIA). The Doors' second studio album, (1967), often recognized as their most creative output, failed to produce a hit single as popular as 'Light My Fire', though the album sold well commercially but did not reach the same level of success as the debut. It reached No. 3 on the Billboard 200 and was certified platinum in the United States and Canada. The Doors' third studio album (1968), was regarded as an artistic disappointment when compared to their earlier material.

1967 Elektra Records ℗ 2012 Elektra Records THIS ALBUM DOWNLOAD FEATURES HIGH RESOLUTION COVER ART ONLY. LINER NOTES ARE NOT AVAILABLE.

However, commercially it was very successful and reached No. 1 in the US and France, and produced their second No. 1 single, '. Waiting for the Sun was the first Doors album to chart in the United Kingdom, where it peaked inside the Top 20. The album was certified gold in that country by the (BPI), as well as being certified gold and platinum in several other countries.

For the fourth studio album (1969), The Doors chose to incorporate string and brass instruments into a number of their songs. The band was criticized by many for this, and referred to as 'pop sellouts' and having 'gone soft'. Despite this, The Soft Parade became the band's fourth straight Top 10 album and it produced their third most successful single, '.

The album was certified platinum in both the US and Canada. To counter the artistic criticism of its last two albums The Doors next released (1970). The blues heavy LP was a critical and commercial success. Although only having produced one single that did not perform well on the charts, Morrison Hotel became another Top 10 album for the band and was certified platinum in the US, Canada, and in France, by the (SNEP).

The group next released (1970), which was a live album containing snippets of performances edited together from fourteen different concerts recorded in nine different cities from 1969– 70. These recordings make up a portion of what is known as the Bright Midnight Archives (BMA). Absolutely Live was very well received, it charted in the Top 10 in the US and Canada and was certified gold in both countries. (1971), was the final Doors album with frontman Jim Morrison, who died of undetermined causes in Paris shortly after the album's release. The album was a triumph, praised by critics and a commercial success, it landed inside the Top 10 in the US and Canada and produced two very well performing singles, ' and '. Like Morrison Hotel before it, L.A.

Woman relied very heavily on the blues, which was a genre of music The Doors would often incorporate into their early live sets while they were the house band at the, a nightclub on the, in Los Angeles. Woman was certified gold and platinum in several different countries. After the death of Morrison, the three remaining Doors members released two more studio albums before they eventually disbanded, (1971), and (1972). Both albums appeared on the US and Canadian albums charts, and likewise both produced charting singles, but the success was limited and the three sought solo ventures. Five years later, Manzarek, Krieger, and Densmore reunited to record backing tracks over Morrison's poetry, and released The Doors' ninth and final studio album titled, (1978). Morrison had recorded the poetry in separate sessions in 1969– 70. Upon release, the album received mixed reviews, but was commercially successful and was awarded platinum status in the US by the RIAA.

The use of the highly controversial Doors song ', from their debut album, in the popular Vietnam War film, in 1979 and the release of the first compilation album in seven years,, released in the fall of 1980, created a resurgence in The Doors. Due to those two events, an entirely new audience, too young to have known of the band earlier, began listening and purchasing the band's music. The group's popularity continued to increase. In the 80's, the band released concert films, and live and compilation albums to much commercial success. In 1991,, a feature film about the band, directed by winning director, that starred as Morrison was released, which helped to expand The Doors' popularity even more, and a new audience had been born. (2009), is a documentary about The Doors written and directed by and narrated. It was nominated for an for Outstanding Nonfiction Series and won a for Best Long Form Video.

The band continues to release compilations through and new live material through both Rhino and their Bright Midnight Archives label. • Murrill, Janet (April 5, 2008).. Archived from on January 6, 2009. Retrieved June 2, 2013. (originally from ). (originally published by Billboard Publication). Retrieved August 26, 2011.

Note: To view charting positions for singles, click 'Billboard Singles' tab. Steve Hawtin. Archived from on August 27, 2011. Retrieved August 25, 2011. • ^ 2013-11-03 at the. Retrieved August 22, 2011.

Note: User required to search: 'The Doors'. To view certifications, click tab on left labeled 'Les Certifications', and then search 'Doors'. • ^ (in German). Media Control. Retrieved August 22, 2011.

Note: To view charting positions for singles, click 'Song' and then search 'The Doors'. Mark Wegener. Retrieved August 22, 2011. Note: To view charting positions for other Doors albums, click on the corresponding links below 'Album Performance'.

• ^ Hung, Steffen. Dutch Charts Portal. Retrieved June 23, 2009.

Note: To view charting positions for singles, click 'Nummer' and then 'Zoeken'. • Hung, Steffen.. Norwegian Charts Portal. Retrieved June 23, 2009.

• ^ Hung, Steffen.. Swedish Charts Portal. Retrieved August 23, 2011.

– Entertainment Retailers Association. Retrieved August 25, 2011. Note: To view charting positions for albums, click 'View Albums'. Retrieved August 23, 2011. Note: Place quotations around 'The Doors' and then search. Retrieved August 23, 2011. • ^ (in Spanish).

Archived from on August 27, 2011. Retrieved August 27, 2011. Solo Exitos 1959–2002 Ano A Ano..

Archived from (PDF) on 2011-06-16. Retrieved 2012-02-03. • ^ 2010-02-01 at (in German). IFPI Austria. 7 Steps To Freedom Ben Suarez Pdf Editor.

Retrieved August 26, 2011. Note: User required to search: 'The Doors'. • ^ (in German). Retrieved August 25, 2011. Note: Search 'The Doors'.

• ^ 2010-01-17. Retrieved February 1, 2010. • • ^ Polish certifications: •.. Archived from on 14 October 2013. Retrieved 18 July 2013. Archived from on 21 September 2013.

Retrieved 18 July 2013. Archived from on July 11, 2004. Retrieved August 26, 2011. Note: To view all certifications for this reference, click on 'Accreditations' link to the right and then click on the corresponding years in which the albums were certified.

Greatest Hits – 1999, Best of The Doors – 2000, L.A. Woman – 2001. • (May 30, 1970)..

(Waverly Press). Archived from on September 4, 2007. Retrieved August 25, 2011. Note: All Go-Set references within this discography were compiled online by Barry McKay and published courtesy of Lachlan Nuttall at PopArchives. • Nimmervoll, Ed (January 29, 1972).. (Waverly Press). Archived from on March 19, 2007.

Retrieved August 25, 2011. • ^ Hung, Steffen.. Australian Charts Portal (originally compiled by from the ). Retrieved August 23, 2011.

• (October 14, 1968).. (RPM Music Publications Ltd). Archived from on August 25, 2011.

Retrieved August 22, 2011. Note: All RPM references within this discography carry the same ISSN. Publication of all online RPM references within this discography are courtesy of Library and Archives Canada. • Grealis, Walt (October 28, 1968).. RPM (RPM Music Publications Ltd). Archived from on August 25, 2011. Retrieved August 22, 2011.

• Grealis, Walt (April 10, 1969).. RPM (RPM Music Publications Ltd). Archived from on August 25, 2011. Retrieved August 22, 2011. • Grealis, Walt (April 11, 1970)..

RPM (RPM Music Publications Ltd). Archived from on August 25, 2011. Retrieved August 23, 2011.

• Grealis, Walt (June 12, 1971).. RPM (RPM Music Publications Ltd). Archived from on August 25, 2011. Retrieved August 23, 2011.

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• Grealis, Walt (September 09, 1972). RPM (RPM Music Publications Ltd). Archived from on August 25, 2011. Retrieved August 23, 2011. • Nimmervoll, Ed (November 14, 1970)..

(Waverly Press). Archived from on March 29, 2007.

Retrieved August 25, 2011. • ^ Hung, Steffen. Austrian Charts Portal. Retrieved June 23, 2009. Note: To view charting positions for singles, click 'Song' and then 'Search'. • ^ Hung, Steffen.. New Zealand Charts Portal.

Retrieved August 24, 2011. Note: To view charting positions for singles click 'Song' and then 'Search'. • ^ Hung, Steffen.

Retrieved August 22, 2011. Note: To view charting positions for singles click 'Song' and then 'Search'. • • ^ Wallace, Ian (June 1, 2011). Australian Recording Industry Association. Archived from 2012-07-29 at the. On June 30, 2011. Retrieved September 8, 2011.

Note: Chart position shown for the original is No. 20 and for the archive is No.

• ^ Hung, Steffen.. Belgian Charts Portal. Retrieved August 24, 2011. • ^ Hung, Steffen.. Spanish Charts Portal.

Retrieved August 24, 2011. • ^ (in German). Phononet GmbH. Retrieved June 23, 2009. • ^ Zywietz, Tobias 2015-10-19 at the. Tobias Zywietz. Retrieved August 25, 2011.

International Federation of the Phonographic Industry – Norway. Archived from on June 28, 2007. Retrieved August 27, 2011. • • (in Italian)..

Archived from (select 'Album e Compilation' in the field 'Scegli la sezione', select Week 24 and Year 2009, enter 'The Doors' in the field 'Artista', then click 'Avvia la ricerca') on 6 October 2014. Retrieved 9 September 2013. • • • (in Spanish).. Retrieved September 27, 2017. • Grealis, Walt (September 13, 1970).. RPM (RPM Music Publications Ltd). Archived from on August 25, 2011.

Retrieved August 23, 2011. • Grealis, Walt (December 10, 1983).. RPM (RPM Music Publications Ltd). Archived from on August 25, 2011.

Retrieved August 24, 2011. • Grealis, Walt (August 22, 1987).. RPM (RPM Music Publications Ltd). Archived from on August 25, 2011. Retrieved August 24, 2011. • Grealis, Walt (January 16, 1971).. RPM (RPM Music Publications Ltd).

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RPM (RPM Music Publications Ltd). Archived from on August 25, 2011. Retrieved August 24, 2011. • Grealis, Walt (April 13, 1991).. RPM (RPM Music Publications Ltd). Archived from on August 25, 2011. Retrieved August 24, 2011.

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Greek Charts Portal. Retrieved August 23, 2011.

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Steve Hawtin. Archived from on August 27, 2011. Retrieved August 25, 2011. Billboard (Billboard Publication). (April 8, 1967).

79 (14): 23.. Retrieved February 20, 2011. • Nimmervoll, Ed (October 4, 1967).. (Waverly Press). Archived from on March 29, 2007. Retrieved August 25, 2011. • Nimmervoll, Ed (March 26, 1969)..

(Waverly Press). Archived from on December 7, 2007. Retrieved August 25, 2011. • Nimmervoll, Ed (September 19, 1970).. (Waverly Press). Archived from on March 29, 2007. Retrieved August 25, 2011.

• Nimmervoll, Ed (January 15, 1972).. (Waverly Press). Archived from on March 29, 2007. Retrieved August 25, 2011. • Nimmervoll, Ed (January 15, 1972).. (Waverly Press). Archived from on September 7, 2007.

Retrieved August 25, 2011. • Grealis, Walt (May 11, 1968).. RPM (RPM Music Publications Ltd). Archived from on August 25, 2011. Retrieved August 25, 2011. • Grealis, Walt (August 19, 1968).. RPM (RPM Music Publications Ltd).

Archived from on August 25, 2011. Retrieved August 25, 2011. • Grealis, Walt (February 24, 1969).. RPM (RPM Music Publications Ltd).

Archived from on August 25, 2011. Retrieved August 25, 2011. • Grealis, Walt (May 05, 1969).. RPM (RPM Music Publications Ltd). Archived from on August 25, 2011. Retrieved August 25, 2011. • Grealis, Walt (July 28, 1969)..

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(October 6, 1967). Archived from on October 16, 2008. Retrieved August 27, 2011. Note: All New Zealand Listener references within this discography were compiled and published online by Steve Kohler at Flavour of NZ.

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Retrieved August 27, 2011. • • External links [ ] Wikimedia Commons has media related to. • • discography at • discography.

The excitement Jim Morrison elicits nearly thirty years after his death is just one of the many fascinating and seemingly eternal aspects of the Doors. Lest it be forgotten, the band also recorded some of the darkest and most challenging music of their time. What is so distinctive about the Los Angeles monster group is how the musicians -- especially the multifaceted Ray Manzarek -- successfully melded rock, jazz-inspired improvisation, and Weill-esque angularity into dramatic settings for Morrison's haunting baritone and acid-damaged poetry.

Their amazing range set them apart from their Psychedelic brethren, as they moved seamlessly from the propelling rock of 'Break on Through,' the breathy beauty of 'Indian Summer,' the manic blues of 'Five to One' and the Coltrane-flavored 'Light My Fire' to the funky edginess of 'Peace Frog' (it could be argued that the latter was the single biggest influence on the 1980s 'Madchester' scene). Whether you feel that Morrison was a brilliant and complex modern-day shaman or a second-rate pretty-boy poet who lost it to alcohol and pills, it's impossible to deny the long-lasting impact the Doors have had on rock 'n' roll. One of the greatest bands of all time.Joy Division and in particular Ian Curtis cited Jim Morrison as his inspiration, riders on the storm was his favourite track, his baritone voice was always compared to Morrisons;).

This band helped shape my life. I got into them at an early age and almost 20 years on i'm still hooked. Ray Manzarik is amazing he plays keyboards and bass and filled in when Morrison failed to show at his own concerts. Robby Krieger is an amazing guitarist and John Densmore was definitley an under rated drummer. Jim Morrison usually stole the show with his boyish good looks and long flowing hair.

Putting his all into every performance he helped lead himself to an early grave. This band surely must go down in history as one of the greatest band ever.

They still have a huge following to this day with record sales and merchandising still at extremely high levels. Still an inspiration too many, i will never tire of listening to them. Awesome psychedlic bluesy rock band that sometimes don't get the credit or respect they deserve and are more associated with Jim Morrison's supposed antics. They created a really wonderful unique sound that still sounds incredible today. Their 6 albums are excellent, all created within 4 years. Some of their pieces of music are pure theatre/poetry incorporated into music, 'The End' is absolutely mesmerising, as is 'When The Music's Over'. 'Light My Fire' is just a fantastically funky rock tune that still does the business today.

'Riders On The Storm' is exquisite mellow jazzy rock. There are just so many great records by this fantastic band. Their best album for me is the first self-titled one and then I would say 'Strange Days', closely followed by 'LA Woman' and then 'Waiting For The Sun'.